Saturday, March 31, 2012

EMIL NELVING ELMORE MINN Will He Find His Uncle Emil?

Postcard from Emil Nelving to Emil Oldenburg
Elmore, Minnesota to Waterloo, Iowa
Postmark December 9, 1910
Postmark: Dec 9 1910
Elmore Minn.

Addressee: Mr. Emil Oldenburg
Waterloo, Iowa

Dear Uncle,

I am going to Hampen Ia this weak and I thot I would come and see you I coming from Hampen Monday so if you got to come to met me I would be very glad because I dont no if I can find you.

Emil Nelving

We must assume that Emil Nelving was actually going to Hampton, Iowa, to see his Uncle Emil Oldenburg because there is no Hampen, Hampden, or Hampdon.  Even then, though Emil didn't know exactly where his namesake uncle lived, there was a greater problem since the postal service needed to find Uncle Emil also because the addres was incomplete.  All that can be concluded is that Nephew Emil knew that Uncle Emil lived in the vicinity of Waterloo, Iowa.

The estimated time to drive the 154.4 miles in 2012 from Elmore to Waterloo is just under three hours. I wonder how long it took in 1910.  There was train service from Omaha, Nebraska to Elmore, where the train turned around and went back to Omaha.  If this service existed in 1910, and Waterloo was been on the train route or nearby, then Nephew Emil may have used this mode of travel.

Let us hope that the two eventually found each other.  If I found Iowa jokes funny, I might write the last sentences as follows. let us hope that the two eventually found each other somewhere among the Iowa cornstalks. Ya, shure!

The town of Elmore is on the border of Minnesota going into Iowa.  The most current population census reports that just under 700 souls occupy this space in Faribault County.  First named Dobson, it is thought that the name was changed to honor one Judge A.E. Elmore, though there is no documentation that the Honorable Elmore ever visited the town that honored him.  There is a brief, interesting history of Elmore written by Kathy Gill by CLICKING HERE.

Real Photo Postcard of Unidentified Home
Unfortunately for me, this real photo postcard had substantial soil on the photograph side, which though for the most part successfully removed, in the process I also damaged the image.  The house and yard may have belong to the Nelving family, but without a family member identifying its ownership we will never know.

Prepared by Mary Katherine May of QualityMusicandBooks.com.

Saturday, March 24, 2012

Postcard Talk Woman in Big Hat Pantaloons Holding Parasole WHY DON'T YOU WRITE 1928

That's me---

This postcard is of a humorous bent, and judging by the brisk tone of the words, this is what softens the crisp comment. It is said that communication is 95% tone of voice...yet the few words written on this one leave no mistake of what the writer is demanding. It is also most likely, given the nature of the woman's clothing, that Arthur is not the person in this photo.

"That's me"--it appears that this outlandishly dressed woman's photo and comment are laid upon and attached to the embossed, frame-like postcard paper. This particular copy is fragile, and includes an approximatley 1-1/4 x 1/4 inch side border piece about realy to fall off. It's message is clear and to the point.

Norfolk Nebr
Aust 28
(The printed word "for" at the top is lined out.)
Addition (23 August, 2010): Another examination of this postcard leads me to now believe that what I thought was the word "for" crossed out, is actually "11" for the year 1911.

 
Why don't you ever wright or havent you got any paper at your home.

Your Cousin
(Arthur)



Postcard collecting can be a fun, rewarding hobby while at the same time remaining at a relatively low cost...or relatively high cost. Often the most sought after cards must be in mint condition. If you choose to collect for the content and postmark rather than the images, however, the elements of some sort of wear and use will always be evident.
There are many extraordinary people...in fact, most people will slip away into anonymous history, known only to their familys--and that only if some sort of documented record is kept. The bread and butter--the meat and potatoes--of lives lived are aways found in the every day routines. In the regularities of simplicity can be found what real life is all about.

Mary and Rick May's Christian webstore:

Thursday, March 15, 2012

New Years Eve Postcard ELEVA WISCONSIN What Is in a Name?

Postcard Sent New Year's Eve, December 31, 1913
 New Year's Eve Postcard
by Mary Katherine May of QualityMusicandBooks.com.

Interesting enough is the colorful illustration on the cover. Interesting, too, is that Viola Johnson, to whom the postcard is addressed, along with her parents and siblings, can be identified with a fair amount of certainty.


from Eleva Wisconsin, December 31, 1913

To Viola Johnson, c/o Gust Johnson
RFD H1, Osseo Wis.
Dear Friend
I recd the card you Orlando sent to me sometime ago. I would like to come up there pretty soon. Did your ___ get that letter I sent to her. Happy new to all from Stella.

Violet Johnson
Violet Johnson, daughter of Gust and Martha Erickson Johnson, can be documented through a Wisconsin history website, History of Trempealeau County, 1917 (scroll down to Gust G. Johnson). Viola was one of seven or eight children, depending upon if you take the number of children the article cites, or count the children, which adds up to eight. Orlando, also noted in the postcard message, was a brother to Viola.



Most interesting, though, is how Eleva, Wisconsin, got it's name!




How New Chicago Wisconsin turned into Eleva Wisconsin

Eleva, Wisconsin, is located along the Buffalo River in Trempealeau County. The story of how the small town of Eleva, Wisconsin, got its name may make the reader smile. Originally named New Chicago by R.P. Goddard of Mondovi, the painters had not finished painting the letters on the new grain elevator when winter set in. When newcomers to the town saw ELEVA on the elevator, they assumed it was the name of the town. Eleva, with a population of less than one thousand, is still an active town.

Wednesday, March 7, 2012

Ray Stolzenberg and The Northern Playboys Band Advertising Card

Ray Stolzenberg
and the
Northern Players
by Mary Katherine May
For some reason Ray Stolzenberg (1915-2010), as little I know about him, has touched my heart.  Mr. Stolzenberg was born in Johnsburg, Minnesota, and lived most of his life in Austin, Minnesota. He formed a band with eight musicians including himself as the drummer, and they played all over the midwest. He married a gal from Red Wing, who worked as head nurse at St. Olaf Hospital in Austin.  Ray's story was featured in the Twin Cities of Minneapolis and St. Paul on local channel 5 by Jason Davis. 

I think what moved me to be sentimental about this man is first that I recall the dances our church would sponsor a few times a year, where we could come together as a church family in the hall next door to the church, to have a good time. We would dance the polkas and waltzes, the Schottische and the Bunny Hop, Hava Nagila, with familiar Ukrainian music thrown into the mix. Young and old, children, moms and dad, grandmas and grandpas of families who had known each other for what seemed forever.  Later on in the years, there was a band whose members included my cousin, Pat, and of course that was really special because I knew they played with a heart and soul of joy for music.

Very touching in Ray's story is that when he retired and moved to Arizona, his band moved, too.  Nobody will do that for someone without deep care and respect for that person.  And, it seems, that was the kind of person Ray was.

Here are two links with some more information about Ray Stolzenberg.

International Polka Association

Obituary for Ray Stolzenberg

This advertising card is available for purchase at QualityMusicandBooks.com.

Sunday, March 4, 2012

1895 Obituary Reginald Stuart Poole



Reginald Stuart Poole
Obituary
January 9, 1895
I have one more selection of ephemera to share before returning to my first interest and the reason for this blog, and that is an obituary published in 1895 on the event of the death of Reginald Stuart Poole, Keeper of the Coins at the British Museum and Professor of Archaeology at Univeristy College, London.  The newspaper clipping came to me scattered amongst other paper items in a box.  There are a few unfortunate occurances, the first being the upper left corner that fell off while I was handling it ever so gently, and then at the end it is fairly obvious that the portion of article that is in my possession is mostly not the whole article.

The quality of paper used for newsprint is not the best, and thus will usually deteriorates at a faster rates than other paper.  Here you are seeing the actual clipping, and due to the difficulty in reading the small print on a deeply yellowed background, I have transcribed the information for public use.  Although my hindsight tells me that I should have copied the original and handled the copy rather than the fragile original, my foresight was not good enough to deduce this fact until after more damage had been done.

Very interesting on the opposite side are advertisement about performances, and these are also included here.

 We regret to announce the death yesterday morning, in Kensington, of Dr. Reginald Stuart Poole, late keeper of the Coins in the British Museum and Professor of Archeology at University College, London.  Mr. Poole, who had not quite completed his sixty-third year, had complained of lassitude and want of tone for the past year or two, since his retirement from the Museum in 1893; but the end, which is believed to have been due to heart affection, was somewhat unexpected.   To a very large circle of friends, and especially to students of archaeology, Egyptian history, and antiquities, Mr. Poole’s death will be a severe shock.  During the forty years of his official career he had devoted his unusual energies and zeal to the encouragement of the studies he loved.

His influence as a teacher cannot easily be overestimated.  Head the gift to inspire the zeal for learning, and the power of sympathy to encourage and direct it, and hundreds of students of Egyptology, of classical archaeology, and medallic art, indeed, in art of every form and of every age, owe their first impulse and later encouragement to his precept and example.

Mr. Poole’s devotion to Egyptian learning dated from very early years, for though born in London in 1832, he spent the most receptive years of his youth, from 1842 to 1849, at Cairo, whither his mother had accompanied her brother, Mr. E. W. Lane, the Arabic scholar, when he went out to prepare his monumental Arabic-English lexicon.  Under Lane’s counsel and advice, Stuart Poole took up the study of ancient Egypt, and before he was seventeen, contributed a series of elaborate articles to the Literary Gazette, which were reprinted, in 1851, as “Horae Aegyptiacae.”  In the following year he entered the British Museum, and rose to be Keeper of the Department of Coins and Medals in 1870. 
By this time he had made a reputation, not only in his first choice, Egyptology, but also in his official subject, especially in the branches of Greek and Oriental numismatics.  His great aim was to remedy the neglect of his predecessors in the vital matter of publishing descriptions of the collections.  During his keepership, thirty-five volumes of Catalogues of Coins issued from his department, of which sixteen dealt with the Greek series, seventeen with the Oriental, & c., and though he was personally the author of only four of these volumes (describing the “Coins of the Ptolemies,” of “Alexandria,” of Magne Graecia,” and of the Shahs of Persia”), he collected and revised the whole thirty-five, at the cost of immense labour to himself and his assistants.  As a result, it may be confidently asserted that no department of any museum is better catalogued and the described than the one over which Mr. Poole reigned for twenty-two years.   The catalogues have provoked research and emulation all over Europe, and have served as the models for many foreign imitations.  In recognition of these important services to his science he was elected a Correspondent of the Institute of France in 1876, and awarded honorary degrees at Cambridge and in the United States. 
Meanwhile he had always kept up his interest in Egyptology, and had materially contributed to the awakening of the public interest in the study by delivering numerous lectures at the Royal Institution and at various local centres.  He was one of the chief founders and supporters of the Egypt Exploration Fund, which has done so much to lay bare ancient sites in Egypt, at Naucratis, Pithum, Tanis, & c., and he remained its honorary secretary to the end.  From 1885 to 1893 he held the chair of Archaeology at University College, where he frequently lectured on Egyptian, Assyrian, Greek and Arab art and antiquities.  He was not a large contributor to periodical literature, but some interesting and suggestive articles which appeared in the Contemporary Review, were republished in 1882, under the title of “Cities of Egypt,” and attained a wide popularity.  He also wrote several important articles on Egypt, numismatics, & c., for the Encyclopedia Britannica.”  But it is rather as a lecturer, an oral teacher, and a stimulating personal influence, than merely as a writer, that Mr. Poole will long be remembered as a shining light among the too usually dry and unattractive exponents of Oriental learning and archaeology.  From dullness and pedantry he was poles asunder, saved by a bright imagination, a rich vein of humour, and, above all, an instinctive power of sympathy and insight.

On the lighter side, are the performance advertisement on the opposite side of the obituary. 

King Arthur to-night and.... evening at 8 o'clock, will be produced .... a Prologue and Four Acts, King Arthur, by J. ... Carr.  King Arthur: Mr. Irving; Sir Lancelot: Mr. Forbes Robertson; Morgan Le Fay: Miss Genevieve Ward and Guinevere: Miss Ellen Terry.  Music by Arthur Sullivan. Scenery and Costumes designed by Sir E. I. Burne Jones. Box-office: Mr. J. Hurst, open 10.0 till 5.0 only. Seats can also be booked by letter or telegram. Lyceum.

Special Notice--King Arthur. The Curtain will rise nightly on King Arthur at 8.0 o'clock punctually. Lyceum.

Lyceum--Matiness--Santa Claus.  Every afternoon at 1.30 punctually. Mr. Oscar Barrett's Fairy Pantomime, SANTA CLAUS. Written by Mr. Horace Leonard. "Lorgnette," in the Sportsman (Feb. 6), says:--"I do not want to see a better, brighter, or funnier Pantomime than 'Santa Claus' at the Lyceum. 'Santa Claus' is comical and not vulgar. The children shrieked with laughter."  The theatre warmed. All draughts excluded. Box-office: Mr. J. Hurst open daily, 10.0 till 5.0.

Haymarket--Mr. Waller and Mr. Morrell, Managers.--An Ideal Husband, by Oscar Wilde, every evening, at 8.30.  Messrs. Lewis Waller, Alfred Bishop, Charles Brookfield, Cosmo Stuart, Stanford, Deane, Meyrick, Goodhart, and Charles Hawirey; Mesdames Fanny Brough, Maude Millet, Florence West, Vane Featherston, Helen Forsyth, and Julia Neilson.  Matinee to-day and every Wednesday and Saturday, at 2.30. Seats may now be booked one month in advance. Box office (Mr. Leverton), 10.0 till 5.0 and 6.30 till 10.0.  During the present severe weather the theatre is warmed by a new process, and a minimum temperature of 60 degrees is maintained. Sole Lessee, Mr. TRKR.  Haymarket. 

Haymarket--Five O'Clock Matinee, On Tuesday, Feb. 12, An Ideal Husband. At 5.0. Carriages at 7.30.

Vaudeville--Lessee, mr. Woodon Grossmith. Today at 5.0 and 9.0, The New Boy by Arthur Law. "Boars of laughter,"--The Times. "What a capital farce,"--Daily Telegraph. "Too good to be missed,"--Truth. "Overflows with wit and humour,"--Sporting Life. Have you interviewed The New Boy at the Vaudeville Theatre?

The New Boy. Matinees to-day and every Wednesday and Saturday. Doors open at 2.30. Commence at 3.0. Vaudeville Theater.

Criterion Theatre.--Lessee and Manager, Mr. Charles Wyndham--Every Evening, at 8.30. The Case of the Rebellious Susan. By Henry Arthur Jones.  Sir Richard Kato, Q.C.: Mr. Charles Wyndham, Admiral Sir Joseph Darby: Mr. Kemble, James Harabin: Mr. C.P. Little, Fergusson Pybus: Mr. Fred Kerr, Lucien Edensor: Mr. Ben Webster, Mr. Jacomb: Mr. E. Dagnall, Lady Darby: Miss Fanny Coleman, Mrs. Quesnel: Miss Gertrude Kingstock, Elaine Shrimpton: Miss Nina Coucicault, Lady Susan Harabin: Miss Mary Moore. Doors open at 8.0; on wet nights at 7.30.  The Curtain will .....

Mr. Charles Wyndham as Sir Richard Kato in The Case of Rebellious Susan, every evening at 8:30. Criterion Theatre.

Miss Mary Moore as Lady Susan Harabin, in The Case of Rebellious Susan. Every Evening at 8.30. Criterion Theatre.

Matinees of The Case of Rebellious Susan. To-day and Every Saturday at 2.30. Miss F. Frances as Lady Susan Harabin. Doors open at 2.0.  Criterion Theatre.

Comedy Theatre--Lessee and Manager, Mr. J. Comyns Carr.  Tonight (Saturday), Feb. 9, at 8.15, will be produced a new and original comedy, by Charles E. W. Ward, entitled...

The Gospel Bells Are Ringing Round Die Cut Inspirational Card Samuel Wesley Martin

The Gospel Bells Are Ringing
 On this post I leave the postcard for a moment and offer instead an interesting round die cut card, 3-5/8 inches in diameter, with lovely artwork in pastels and the title of the hymn on one side, The Gospel Bells Are Ringing, and other the other the first stanza and refrain with brief publication information.  There is no date.

You will notice I used the word "stanza."  What is normally called a verse, is actually correctly named a stanza.  A verse is technically only one line of poetry.  In any case, This small piece of ephemera is fun, cute, and quite lovely.

On one side is pictorial artwork colored with pastels, of bells and apple blossoms on a blue background. The opposite side is the first stanza and refrain of he hymn by Samuel Wesley Martin, The Gospel Bells Are Ringing. Published by G. and W. Co., N. Y. C., Litho. in U.S.A.

The first appearance of this hymn in publication that I found was in 1892 (copyright 1891) in The Canadian Hymnal. Samuel Wesley Martin (1839-1926) was a composer and arranger of sacred music, that he used in his position of organist at St. Chrysostom's Episcopal Church in Chicago, Illinois from 1896 to 1912. Mr. Martin came in 1894 from his native country of England with his wife, two daughters and two sons.

It is reported that in 1899 at the dedication of a new organ Mr. Martin was ill, and his talented 12-year-old son, Reginald Martin, played in his stead. Aurelia Senn, donated the $6,000 for the Kimball Company organ in 1897. It was the third organ installed by this church. Reginald soon after was employed as organist at Church of the Ascension in Chicago.

CLICK HERE to go to The Gospel Bells Are Ringing at hymntime.com, where you can hear an MP3 recording, see the complete hymn text of all four stanzas, and also download the sheet music for this hymn in Adobe PDF format.

This information was prepared by Mary Katherine May of QualityMusicandBooks.com.